Showing Browse Resources: 1 - 12 of 12
Apparently unpublished manuscript of `Gleanings of Antiquity in Forfarshire’ by James Thomson of Dundee.
Autograph scores of musical compositions by David Stephen, Director of Music to the Carnegie Trust, Dunfermline.
Most of the compositions appear to be unpublished.
Autograph vocal scores of works by Hamish MacCunn.
Copy of "Ballads of the Bench and Bar", with manuscript annotations.
Donald Smith’s Irish miscellany.
Manuscript containing a collection of ballads and other poems
Manuscript containing poems of William MacMurchy.
Manuscripts, 1850, 1869, of two slightly different versions of the ballad 'The Cantie Carlie', with correspondence and notes, 1869, 1885.
The ballad is said to have been composed by the Reverend Gavin Mitchell, circa 1767.
Microfilm of two manuscripts of ballads collected by Mrs Anne Brown, wife of the minister of Falkland.
One ballad was given by Anne Brown to William Tytler in 1783, the other to Alexander Fraser Tytler in 1800; both were used by Sir Walter Scott for ‘The minstrelsy of the Scottish Border’, but only the latter was available to Francis J Child for his ‘The English and Scottish popular ballads’ (see volume 5, page 397).
Miscellaneous historical and topographical tracts, copied in the 17th and early 18th centuries.
There is a list of contents (folio i) in the same 19th-century hand which drew up the contents list in Adv.MS.22.2.10.
Modern settings of traditional street cries, chiefly of London, and of some ballads.
Original manuscript of "The Ship o' the Fiend", a ballad for Orchestra, Opus 5, composed by Hamish MacCunn.
The ballad is preceded by a version, in Hamish MacCunn's hand, of the verse ballad that inspired the music, i.e., 'The Daemon Lover', number 243 of ‘The English and Scottish popular ballads’. A pencilled note records two performances in 1888.